Sphere # 1, 2022

Thermally bound artist book, Edition of 20 + 2xA/P, 104 pages, 21 x 29.7cm
Cover: Screen print on 300gsm Envirocare 100% recycled card. Pages: Laser print imagery on 80gsm Envirocare 100% recycled paper.

Editors: Justin Andrews & Kyle Jenkins. Printed, collated, bound, and trimmed by hand on Dja Dja Wurrung Country.

Justin Andrews @justin___andrews
Kyle Jenkins @kylejenkinsstudio
Olivier Mosset @oliviermosset
John Nixon #johnnixon
Rose Nolan
Jan van der Ploeg @janvanderploegstudio
Carrie Pollack @carriepollack
Anja Schwörer @anja.schwoerer
Jacqueline Stojanović @malarugs
Michael Zahn

Sphere is an image archive project organized by Justin Andrews and Kyle Jenkins. Sphere concerns itself with Abstraction. Sphere collects and presents material from the practices of those who employ modes of Abstraction in some way. Sphere has no editorial content - it is a graphic project, constituted only by the original submissions of its contributors. As an archive, Sphere exists in two forms: 1. An online index of documented submissions. 2. A printed and collated artist book. The submissions that make up Sphere come from artists who occupy differing spaces, places, and timeframes. Sphere aims to bring an international community of artists and their work together into a shared space of experimentation and reflection. @sphere_archive

Sea Ranch, 2016

Collaboration with Mariah Dekkenga
Published by: The Song Cave
The Song Cave is dedicated to recovering a lost sensibility and creating a new one by publishing books of poetry, translations, art criticism, and making art prints and other related materials.

m0ire # 3, 2014

m0ire magazine is a cross-continental bilingual exchange published by Nick Butcher and Nadine Nakanishi of Sonnenzimmer (USA) and Stefan Huber of Signalwerk (Switzerland). This invitational publication brings together two distinct voices to discuss a single topic through word and image. m0ire is released semiannually (Summer and Winter) as a limited edition screen-printed magazine as well as a limited edition digital download.

For issue three of m0ire, the discussion moves on to "processing". True to the spirit of the publication, our contributor's accounts are centered in their respective craft, yet they overlap in unexpected ways. Carrie Pollack, a New York-based artist, discusses early abstraction in photography and the process of transferring metaphor. Anton Studer of Nouvelle Noire, a Zurich-based type design studio, discusses the discrepancies of mathematical exactitude and optical harmony. While seemingly unrelated, each text touches on the age-old question, is seeing believing?
Link to the essay